performing the gallery

Month

March 2015

Re-performance and Archives.

When the performance has ended many people would agree that the event is over, disappeared forever. Although what about documentation? Surely if a performance is saved, recorded or documented the piece will last forever? Rebecca Schneider discusses the use of… Continue Reading →

Emotional and Analytical Reproductions

One of the Artists whose work has influenced the development of my performance is Sophie Calle, who I came across when researching the ephemeral in Peggy Phelan’s Unmarked. Particularly her work on paintings stolen in 1990 from the Garnder Museum… Continue Reading →

Working as a TEAm

Danny and I re-evaluated our prior performance idea where we explored segregation as an irrational concept, however we were just performing a segregational act. We wanted to show that, as a community, everyone can exist and be from their differences… Continue Reading →

Class dismissed?

Danny and I had similar thoughts in relation to the final site specific performance and met up to discuss certain aspects that we wanted to explore and present. We began very general before homing down our thoughts. The initial discussion… Continue Reading →

Tino Seghal’s Kiss

Tino Seghal’s Kiss from Gratza (2015) for guardian.com   I was fortunate enough to experience a performance in a gallery during my reading week. At the Henry Moore Institute in Leeds there has been ongoing exhibition The Events Sculpture which “presents nine… Continue Reading →

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