performing the gallery

Pitch Repressive social conventions. We are looking at how the social conventions repress the visitors on how they can or cannot act. They often feel obliged to keep quiet and whisper, and move slowly through the gallery without expressing a… Continue Reading →

‘We remain Fascinated with how technology creates new cultural spaces’ (Blast Theory, 2015) Blast Theory’s early work began as live art but as time and technology has expanded this has become less apparent – Or has it become twenty first… Continue Reading →

Within the Usher Gallery and The Collection different parts of the walls present different time periods and therefore this can used to personify the suggestion if walls could talk. By using different individuals for each time period or two people… Continue Reading →

  Following the reading Theatre/Archaeology by Pearson and Shanks it has enlightened me to the ways we can perceive artefacts. When examining an artefact there are the stages of ‘categorisation and classification, analysis and narrative.’ (Pearson, 2001). Which allow us… Continue Reading →

Welcome to Performing  The Gallery.